top of page

Hebridean Threads

A  journal of sewing, slow fashion, and island life.
From a sewing table in the Outer Hebrides, discover a curation of hand-finished garments, traditional techniques, and reflections on sustainability and the creative process. You’ll also find stories of local heritage and culture — the landscapes, histories, and people that inspire my work. Thanks for joining me on this handmade journey.

reef beach, uig
Search

A simple Guide to Sewing Patterns

Updated: Jul 25, 2025


sewing machine

Information before you start

To ensure success with your sewing pattern, it’s important to do the correct prep work!

Check the size guide – This will be found on as a chart the back of the paper pattern and in the instruction pamphlet

Check the seam allowance – This will be found in the instruction pamphlet, and is crucial for a proper fit, and also to ensure pattern pieces fit together.

Check Fabric Requirements – This will be found on as a chart the back of the paper pattern and in the instruction pamphlet

 

Understanding Symbols

It’s important to note that different pattern companies will use slightly different symbols, but the general gist is the same. A guide to symbols will be found in the instruction pamphlet, and it’s good practice to read through and become familiar with what each symbol means. Below is a chart that provides an example.

 

 

sewing pattern symbols
Image Credit: Craft Tribe Online

Grainline – When fashion designers and pattern makers talk about grain lines they are referring to the way that a pattern is cut out when it is laid out on a piece of fabric. Basically, fabric is woven from thread going in two different directions and it is sometimes easiest to remember that fabric is built on tiny squares of threads which criss-cross each other.

The warp thread runs up and down while the weft thread runs right to left (You can rhyme weft with left to remember which one is which). The reason why these threads are important to the grainline is that they each react in different ways. For example, the warp thread is generally the stronger of the two and is the least likely to stretch out of shape. So for example on the straight front placket of a shirt, you don’t want it to go out of shape so if you align it with the strongest threads then it will hold it’s shape better.

 

The straight grain is the grain used most often in garments. The straight grain generally runs up the centre front and centre back of garments and up through the centre of sleeves and pant legs. In situations where a garment is cut slightly off grain, this may cause sleeves or pant legs to twist around the body. You often see this as a problem in cheap t-shirts because the fabric weave does not hold a solid grid pattern, making the fabric hard to cut correctly and causing the garment to be made up out of pieces which are off grain.

On areas such as waistbands which hold tension, you want the strongest thread to run around the body so you would cut your waistband patterns following the straight grain, ie parallel to the selvedge. The selvedge is the band of more tightly woven fabric that runs up either side of the fabric meterage. If you imagine the fabric being woven on a loom then these are the edges where the thread turns back on itself to begin weaving the next row.

 

In contrast to the straight grain, you can also design garments which use the grain on a 45-degree angle, this is called bias cut. This effectively means that of that tiny weave of fabric you are going diagonally across the squares and making the fabric much more unstable. But while unstable sounds like a negative it can sometimes be what you need for a garment. It creates the ideal flexibility for creating bias cut dresses where you need the fabric to mould better to the body and will probably allow for less darts.

You always need to be careful of how different grain lines affect each other when they meet at seams though, as sometimes seams can stretch when cut at a strange angle or on different grains to each other and this can cause puckering.

 

 

Foldline – Often pattern pieces come as a “half” piece and are designed to be cut on the fold, this ensures symmetry in the pattern, as well as being more time effective.

 

Cutting Lines – These can be confusing at first, since pattern sizes overlap – but once you find your line and stick to it, it makes sense.

 

Dart Lines – Indicate where a dart is to be inserted. Darts are crucial for turning a flat 2D pattern into a 3D garment. They are often placed at the waistline, and the bustline. Do not cut the dart lines – they are a sewing guide.

 

 

 
 
 

Comments


bottom of page